https://eproceeding.isidps.ac.id/index.php/bbw/issue/feedProceeding Bali-Bhuwana Waskita: Global Art Creativity Conference 2025-01-17T15:17:00+00:00Open Journal Systems<p><img src="https://i.ibb.co.com/xmmDn0w/Poster-Seminar-3.jpg" alt="Poster-Seminar-3" width="728" height="728" border="0" /></p>https://eproceeding.isidps.ac.id/index.php/bbw/article/view/540DIGITAL VISUAL ART AS A SOCIAL INTEGRATOR2024-12-22T01:09:12+00:00Nurbossynova B.A.[email protected]<p>This article examines the evolving role of digital art as a social integrator, with a particular focus on the digital art scene in Kazakhstan. Art has long sought to create emotional and spiritual balance, mediating between contrasts like past and future, reality and dreams, and internal and external worlds. Today, with the rapid development of technology and globalization, art increasingly engages with digital media to perform its communicative and harmonizing functions. The work of contemporary Kazakh digital artists, such as Danabol Birlesbek and Magnificum, addresses significant social issues, including national identity, domestic violence, and environmental concerns. Through their art, these creators provoke reflection on the rapidly changing society in Kazakhstan. Additionally, the article explores the innovative approaches taken by multimedia exhibitions, such as those at Lumiere-Hall in Almaty. These exhibits merge traditional art with new media, transforming the experience into something more immersive and interactive. For instance, the exhibition Salvador Dali. Cryptography blends recognizable Dali imagery with symbolic and interactive digital elements, requiring viewers to actively interpret the narrative rather than passively observe. The article also highlights the work of Nargis Rakhmanova and other Kazakh artists who use digital art as a bridge between traditional cultural values and contemporary social issues. These artists contribute not only to the development of art but also to public discourse on topics such as gender, identity, and family dynamics. By incorporating modern technology into their practices, Kazakh digital artists play a crucial role in shaping the country's cultural transformation and fostering deeper societal dialogue.</p>2024-12-22T00:00:00+00:00Copyright (c) 2024 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/505POSITIVE EFFECTS OF BINAURAL MUSIC ON THE BRAIN2024-12-16T08:38:05+00:00Ketut Sumerjana[email protected]I Komang Sudirga[email protected]I Kt. Suteja[email protected]I Wayan Suharta[email protected]<p>Binaural music, which is characterized by the presentation of two slightly different sound frequencies to each ear, has gained increasing attention owing to its potential positive effects on the brain. Research suggests that binaural beats can influence cognitive and emotional states by modulating brainwave activity. When the brain perceives the difference between the two frequencies, it generates a third "perceived" frequency, known as a binaural beat, which corresponds to specific brainwave states (delta, theta, alpha, beta, or gamma). These brainwave states are linked to various mental and physiological benefits, including relaxation, improved focus, enhanced creativity, reduced anxiety, and better sleep quality. Additionally, studies have indicated that regular exposure to binaural beats may promote neuroplasticity, improve memory retention, and facilitate the brain’s capacity for learning and information processing. This abstract provides a concise overview of how binaural music may serve as a tool to improve mental health, cognitive performance, and emotional well-being, offering a promising avenue for therapeutic and wellness applications. Further research is needed to explore the long-term effects and optimal conditions for the impact of binaural music on brain function.</p>2024-12-22T00:00:00+00:00Copyright (c) 2024 Ketut Sumerjana, I Komang Sudirga, I Kt. Suteja, I Wayan Suhartahttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/510BOUNDLESS COLLABORATION OF VIRTUAL MUSIC IN THE DIGITAL AGE2024-12-13T11:47:55+00:00Kenan Bagas Holong[email protected]I Pt. Lukita Wiweka Nugraha Putra[email protected]<p>Virtual Music's Boundless Collaboration in the Digital Age Collaboration in Music has grown rapidly along with the advancement of digital technology, creating a new boundless space for musicians from different parts of the world. “Collaboration Without Borders: Virtual Music in the Digital Age” examines how digital platforms, music production software, and streaming technologies enable musical collaboration across geographies, cultures, and genres. Through the use of virtual musical instruments, remote recording, and cloud-based applications, musicians can now collaborate in real time by combining different sonic elements to produce more innovative and experimental works. In addition, this study also explores the impact of virtual collaboration on the music industry, including increased accessibility, utilization of global market potential, and challenges faced in terms of copyright and distribution. Virtual music collaboration provides musicians with an opportunity to express themselves more freely, share creative ideas, and access global opportunities without being hindered by physical boundaries.</p>2024-12-22T00:00:00+00:00Copyright (c) 2024 Kenan Bagas Holong, I Pt. Lukita Wiweka Nugraha Putrahttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/508PROCESSING OBJECT SOUNDS, AN EXPLORATION OF SAMPLING IN DIGITAL MUSIC2024-12-13T03:20:59+00:00Gabrielle Wijaya[email protected]Komang Wahyu Dinata[email protected]<p>The practice of sampling-capturing, manipulating, and recontextualizing sounds from the physical world-has become the cornerstone of digital music production. Among the diverse ranges of sampled sounds, object sounds-auditory impressions derived from everyday items and environments-offer unique creative possibilities. This study explores the process of incorporating object sounds into digital music, examining how they can be recorded, manipulated, and transformed through various digital tools and techniques. The ability to sample objects provides musicians and sound designers with a rich palette to create unconventional textures, rhythms, and sonic landscapes. Additionally, this exploration delves into the psychological and emotional impact of object-based sounds on listeners, considering how they evoke memories, sensations, or associations. By investigating the intersection of field recording, digital processing, and music composition, this study underscores the artistic potential of object sounds in shaping the future of experimental and mainstream music production. As digital tools evolve, the role of object sounds continues to expand, thereby encouraging new forms of auditory expressions and interactivity in the music industry.</p>2024-12-22T00:00:00+00:00Copyright (c) 2024 Gabrielle Wijaya, Komang Wahyu Dinatahttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/568FOR REVENGE: THE PHENOMENON OF EMO MUSIC PERFORMANCES AND AUDIENCE EMOTIONS2025-01-05T10:21:34+00:00Ni Wayan Ardini[email protected]I Nyoman Cahyadi Wijaya[email protected]I Gede Mudana[email protected]<p>This research was conducted for the purpose of identifying the character of emo (emotional hardcore) music performances and their relationship to the emotional situation of the audience watching them, especially in the case of a music group in Indonesia named for Revenge. This qualitative research, which relies on document studies, observations and interviews, found that this underground group with an emo (emotional hardcore) character, with themes of inner conflict, suffering and rebellion, especially in matters of love, deserves to label itself as "for revenge” or “untuk balas dendam” in Indonesian. Apart from being musically aesthetic, the emo lyrics created in many cases are truly capable of piercing the deepest hearts of audiences who have experienced love problems. In today's era of social media, this group is favored by a fairly large segment of the youth market. This means that in Indonesia for Revenge has increasingly succeeded in blurring the boundaries between underground entities and the popular music industry.</p>2024-12-22T00:00:00+00:00Copyright (c) 2024 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/569BOUNDLESS CREATION, VIRTUAL MUSIC AND GLOBAL COLLABORATION2025-01-05T13:13:37+00:00Rizky Stephanie Justin[email protected]I Komang Darmayuda[email protected]<p>The advent of digital technologies has revolutionized the way music is created, shared, and experienced, thereby enabling a new era of <em>boundless creation </em>through virtual music. This study explores how the convergence of digital tools, virtual platforms, and global connectivity has transformed the landscape of music production, fostering unprecedented opportunities for collaboration across borders, cultures, and genres. Musicians, producers, and composers can now create, record, and perform together in virtual spaces regardless of their physical location. By leveraging cloud-based software, real-time collaboration tools, and virtual instruments, creators are no longer limited by geographical constraints, allowing for more diverse, innovative, and experimental work. The study also examines the impact of virtual music on the global music industry, including its role in democratizing access to music production, expanding audience reach, and reshaping traditional models of distribution and performance. Ultimately, the fusion of virtual music and global collaboration has opened new avenues for artistic expression, cross- cultural exchange, and creative freedom.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/570TOPENG RANGDA AS METAPHOR OF DEWI DURGA BY TJOKORDA OKA TUBLEN2025-01-05T15:50:27+00:00Cokorda Alit Artawan[email protected]I Wayan Mudra[email protected]I Ketut Muka[email protected]I Wayan Karja[email protected]<p>The <em>Topeng Rangda</em> created by Tjokorda Oka Tublen with a distinctive character as an interpretation of Durga has a magical impression. This research aims to deeply understand Rangda as a metaphor of Durga by Tjokorda Oka Tublen. The <em>Topeng Rangda</em> created by Tjokorda Oka Tublen's is sacred to the community and used as a role model by the Balinese people. Nevertheless, until now there has been no special study about it. This research uses a qualitative method. The data collection is done by purpose sampling with observation, interview, and literature study techniques, dissected with aesthetic theory and metaphor theory. The result of this study, <em>Topeng Rangda</em> as a metaphor is a mask with a scary face as the embodiment of Dewi Durga in white with buck teeth, bulging eyes with a magical, majestic and authoritative impression. The process of creating Tjokorda Oka Tublen's mask includes: <em>newasen, nyawi, nyalonan, makalan, nadiang, nelesang, ngalusang, ngewarna, </em>dan <em>pasupati.</em></p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/571THE CONTRIBUTION OF DIGITAL TECHNOLOGY TO ART STUDIO BUSINESS IN JAKARTA2025-01-05T16:25:44+00:00Denta Mandra Pradipta Budiastomo[email protected]Ida Ayu Trisnawati[email protected]Ni Made Arshiniwati[email protected]I Gusti Putu Sudarta[email protected]<p>By leveraging technology, empowering people, encouraging innovation, and strengthening organizations, art studios can increase competitiveness while maintaining the relevance of arts and culture in modern society. To develop a business, the combination of technology usually consists of knowledge and physical equipment. Technoware (T), Humanware (H), Infoware (I), and Orgaware (O) are four basic components of development that interact dynamically in the development process. The purpose of this study is to analyze the contribution of digital technology through various digital media to art studio businesses in Jakarta in arts and cultural activities. This research uses quantitative methods, data sources are determined through a purposive sampling technique. Data were collected by direct observation, interviews, Focus Group Discussions, document reviews, and literature studies. The results of this study show the coefficient value of the contribution of digital technology for each technological component of the art studio business for the welfare of artists.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/573A REVIEW OF RINDIK MUSIC ADAPTATION IN THE WELLNESS TOURISM DEVELOPMENT2025-01-08T10:22:48+00:00Evi Thelia Sari[email protected]<p><em>This article aims to analyze how the Rindik music adapts to the development of wellness tourism while maintaining the Balinese culture. The review focuses on the process of Rindik music adaptation in wellness tourism context and how it is adapted without sacrificing the culture essence. The qualitative research is used in this article by literature study processed by NVivo. The observation is used to support the thematic analysis. The result of this research found 4 adaptation components of Rindik music to show how the Rindik music adapts in the context of wellness tourism development, namely existence, direction, elements and triggers of adaptation. The existence indicates the changes and development and the direction refers to freedom to meet the market demand. The third component, elements of adaptation consist of method, sound, instruments, therapy, notes, traditional and value. The last component, triggers, can be listed as people, tourism, and culture.</em></p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/574KECAK DANCE LEARNING AND CULTIVATION OF CHARACTER EDUCATION VALUES IN PASRAMAN WIDYA SANTHI, SEBATU VILLAGE, BALI2025-01-08T11:14:54+00:00I Wayan Deo Ayana[email protected]Ni Made Arshiniwati[email protected]I Gede Mawan[email protected]I Wayan Karja[email protected]<p><em>Pasraman, ashram, padukuhan,</em> or <em>gurukula</em> is a traditional education system in Hinduism that has existed since ancient times. Hinduism recognizes that education is an important aspect of human life. In Bali, the history of <em>pasraman</em> has been known since ancient times. In various folktales, there are many touches of education and the existence of <em>padukuhan</em> or <em>pasraman</em>, where Balinese generations gained knowledge in ancient times. This research aims to evaluate Kecak Dance learning in non-formal education in Pasraman Widya Santhi Sebatu Village and to know the process of instilling character education values through Kecak Dance learning in Pasraman Widya Santhi Sebatu Village. The research method used is descriptive qualitative with data collection techniques through observation, interviews, and documentation. The findings indicate that the learning of the Kecak Dance at Pasraman Widya Santhi is effective through interactive and participatory teaching methods. This learning process not only enhances students' dance skills but also provides a deep understanding of Balinese cultural values. Moreover, the activities successfully instill character education values such as discipline, responsibility, hard work, creativity, and pride in local culture. Community support, a conducive learning environment, and the integration of arts and cultural education are key factors in the program’s success. This study concludes that the learning of the Kecak Dance at Pasraman Widya Santhi serves as an effective model of non-formal education in shaping skilled, character-driven, and culturally aware youth. The structured and culture-based learning process enriches students' artistic skills while fostering awareness of the importance of preserving Bali's cultural heritage</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/575“KUNO KINI” HERMENEUTIC STUDY OF CONCEPTUAL PHOTOGRAPHY BY GUNG AMA2025-01-09T13:05:22+00:00I Putu Dudyk Arya Putra[email protected]Desak Putu Yogi Antari Tirta Yasa[email protected]<p>I Gusti Agung Wijaya Utama S.Sn or Gung Ama is a photographer who has a distinctive characteristic in his work. Gung Ama's interest in photographic works produced in the 1930s encouraged a deeper exploration of ancient photographic styles. The concept of Kuno Kini was created by Gung Ama by photographing using an Afghan box camera, combining ancient darkroom techniques with experimental touches of modern media. The study of Kuno Kini in this article will refer to hermeneutics, how the interpretation and understanding of texts, history, and culture occur in a dialectical and historical process, refer to hermeneutics from Gadamer who classifies four stages of hermeneutic theory in interpreting or understanding. Gung Ama packages his concern about current problems and pours it into the form of conceptual photographic work Kuno Kini, as a form of criticism and self-reflection that is expressed visually in symbols and signs on his photographic elements.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/576THE EXISTENCE OF “NGINANG” AS A SOCIAL AND THEOLOGICAL STUDY OF PUPPETRY IN BALI2025-01-10T01:38:25+00:00I Kadek Widnyana[email protected]Luh Wina Sadevi[email protected]Rinto Widyarto[email protected]Fauziah Shahab[email protected]Ida Bagus Hari Kayana Putra[email protected]<p><em>Nginang</em> is the habit of chewing betel leaves and other herbs, such as lime, gambier, areca nut, and tobacco. <em>Nginang</em> has been practiced by people in Southeast Asian countries and parts of Southern China since the 15th century AD. Currently, <em>nginang</em> habit in Indonesia has decreased, which can be caused by many factors. The custom of <em>nginang</em> in Indonesia, especially in Bali, has meaning in various rituals, such as in Balinese puppetry. Nginang functions as a social and theological means of Balinese Dharma Pewayangan Bali. The purpose of this study is to explore the social-theological meaning and existence of the nginang custom for puppeteer in Bali. This is a qualitative study, where primary data is obtained through interviews and observations, while secondary data is obtained through literature review. The conclusion from this study is that nginang is a theological symbol that unites spiritual and social aspects in the life of Balinese puppeteers who must master various arts and the Dharma of Balinese puppetry. Nginang can control words, actions, peace, and harmony during the performance and daily life of the dalang. Nginang should continue to the young generations of puppeteers in order to master the various arts and Dharma of Balinese puppetry.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/578EVALUATING THE IMPLEMENTATION OF GEOGRAPHICAL INDICATION PROTECTION FOR BATIK LASEM: CHALLENGES AND OPPORTUNITIES2025-01-10T06:25:06+00:00Adityayoga Adityayoga[email protected]<p>This study evaluates the implementation of Geographical Indication (GI) protection for Batik Lasem, focusing on its impact, challenges, and potential improvements. While GI certification has bolstered artisans' confidence by providing legal safeguards, limited understanding of its protection scope such as motif preservation and violation reporting procedures—hinders its effectiveness. Artisans express concerns over plagiarism and inadequate support in addressing violations, highlighting the need for targeted education and clear reporting mechanisms. Using qualitative methods, including interviews with artisans and MPIG members and document analysis, the research identifies gaps in community knowledge and enforcement practices. Findings emphasize the necessity of intensive training and stronger collaboration between MPIG, government, and artisans to optimize GI's protective function. By enhancing community participation and refining implementation strategies, this study offers actionable recommendations to strengthen Batik Lasem’s cultural heritage and market positioning, ensuring sustainable benefits for the local ecosystem.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/555THE ROLE OF MYTH IN SUSTAINAINING BASANG TAMIANG POTTERY IN KAPAL VILLAGE BADUNG REGENCY 2024-12-28T05:30:02+00:00I Wayan Mudra[email protected]Ni Putu Muliawati[email protected]<p>Pottery craft products produced by craftsmen in Banjar Bangsatamiang, Kapal Village, Mengwi District, Badung Regency, their existence is still continuing until now, it is believed that there are myths that play a role in them. This study aims to discuss the role of myths in the sustainability of pottery craft products by craftsmen in Banjar Basangtamiang. Data were collected using observation, interview, and documentation techniques, determination of data sources with purposive sampling and data analysis with Roland Barthes' myth theory. The results of the study show that the beliefs of Banjar Basang Tamiang craftsmen discussed from Roland Barthes' semiotic theory can be called myths in the first level of denotative sign reading and connotative sign reading at the second level. These myths ideologically bind craftsmen to continue to pursue pottery crafts as a profession for a living. These myths play a positive role in the sustainability of Basang Tamiang pottery crafts in the future so that they can exist until now . </p>2024-12-22T00:00:00+00:00Copyright (c) 2024 I Wayan Mudra, Ni Putu Muliawatihttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/579PENTAGRAM: FROM COMPLEXITY TO EMOTION THROUGH SOFTWARE SEQUENCERS2025-01-10T08:57:51+00:00I Gede Raditya Yudhistira[email protected]I Pt. Lukita Wiweka Nugraha Putra[email protected]<p>Pentagram investigates the integration of technology in modern music composition, focusing on the use of software sequencers to merge human creativity with machine precision. The study highlights how these tools transform live performance by enhancing technical and expressive dimensions. The research aims to explore the roles of sequencers in Pentagram, focusing on complex pattern execution, real-time effect manipulation, expressive outcomes, and the intricate communication between the musician and the sequencer. This study employs a qualitative descriptive approach with a focus on music analysis, examining how sequencers contribute to technical precision, real-time responsiveness, and emotional storytelling in live performances. The research demonstrates that sequencers enable complex pattern execution, real-time effect manipulation, and intricate communication between the musician and the sequencer, offering new possibilities for composition and live performance. Pentagram highlights the transformative potential of sequencers in music, showcasing their ability to expand creative boundaries by combining precision, expressiveness, and innovation in live performance.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/580COFFEEHOUSE PAINTING: ART, FAITH, AND SOCIETY2025-01-10T12:53:56+00:00Rahim Rahiminejat[email protected]<p>Coffeehouse (Qahveh-Khaneh) painting, a vibrant Iranian folk art form flourishing during the Qajar era (18th-20th centuries), has been primarily studied through its aesthetic or sociological aspects. This research uniquely investigates its multimedia nature, revealing a dynamic interplay with the oral storytelling tradition of Naqqali and the theatrical performances of Ta'zieh. To analyze the historical development, artistic characteristics, social functions, and cultural impact of Coffeehouse painting within the Iranian context, highlighting its multimedia character and its relationship with Naqqali and Ta'zieh. A qualitative thematic analysis of existing scholarly literature, predominantly in Persian, was conducted. Sources were reviewed, translated, and analyzed to identify recurring themes and patterns. Coffeehouse paintings served as a powerful medium for disseminating religious beliefs, shaping national identity, and bolstering morale during a period of colonial influence. The art form's visual conventions and narrative strategies were deeply intertwined with Naqqali and Ta'zieh traditions. This study reveals Coffeehousepain ting as a significant force in shaping Iranian cultural identity and underscores the importance of studying multimedia art forms within their specific socio-historical contexts.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/581CINESONIC REALITY IN ART AND DESIGN ON DIGITAL MEDIA2025-01-10T15:16:08+00:00Clemens Felix Setiyawan[email protected]Dyah Murwaningrum[email protected]<p>Digital technology has significantly transformed the concepts and practices of art, including the creation of art and design. Cinesonic emerged as an innovative form that integrates the visual and the aural into a unified and holistic aesthetic through multisensory experiences. Consequently, it has fostered extensive artistic expression, depth and diversity of meaning, and the emergence of new paradigms in contemporary culture. This study aims to describe cinesonic as a medium for the recreation of art and culture while simultaneously fostering visual-aural awareness in everyday human activities, which are often overlooked. The development of visual-aural awareness has the potential to enhance the depth and quality of audience appreciation. This research is qualitative, employing a descriptive-analytical method. A historical explanation approach is utilized to guide the description within spatial and temporal boundaries. Data were collected from prior papers and works discussing the cinesonic movement and its realities in art and design. The paper focuses on examining the definition, history, and application of the cinesonic concept across various contexts. The findings reveal that cinesonic expands the boundaries of traditional aesthetics, offers sharp social critique, and creates multisensory interactions that are highly relevant to the digital era. At an advanced stage, cinesonic is anticipated to become an art form capable of enhancing artistic experiences, fostering awareness, and shaping new insights into the relationships between humans, technology, and their environments.</p>2024-12-22T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/477USER PERCEPTION AND PREFERENCE STUDY ON BATIK MOTIFS FOR USE IN UPCYCLED PRODUCTS 2024-12-04T06:34:42+00:00Amelia Angelika[email protected]<p>User perception and preference play a crucial role in accepting upcycled products, with 85% of respondents valuing aesthetics as a key factor. The waste fabric is processed through creative innovation and upcycling to enhance its value. Batik was chosen for its cultural significance, with <em>Buketan </em>motifs as an example of motif application. This study examines user perceptions and preferences regarding Batik motifs on upcycling products, focusing on aesthetics and functionality. An online survey gathered responses from 68 female participants aged up to 35. Thematic analysis identified patterns in user views related to aesthetics, functionality, and cultural value. Findings suggest that Batik motifs can enhance the visual appeal of upcycled products and add cultural identity, though some motifs may lack versatility. While users see market potential, premium pricing could limit acceptance. This highlights the importance of balancing creative product development with sustainable thinking and customer acceptance to enhance the appeal of upcycled products with batik-based aesthetics.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Amelia Angelikahttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/478HARNESSING AI IMAGE GENERATOR PROMPT ENGINEERING FOR ACADEMIC EXCELLENCE2024-12-04T06:32:29+00:00Andreas James Darmawan[email protected]I Made Gede Arimbawa[email protected]Anita Heptariza[email protected]Hosea Brayen[email protected]<div class="page" title="Page 1"> <div class="layoutArea"> <div class="column"> <p>This study explores the role of prompt engineering in visual communication design education, specifically examining its application with AI image generators. With the rise of AI technologies, prompt engineering has become an essential skill for creative professionals to maximize the potential of AI tools in generating high-quality visuals. The purpose of this research is to assess the effectiveness of prompt engineering skills among visual communication design students and identify factors that contribute to successful prompt formulation. Research methods include case study analysis, surveys, prompt formulation experiments, interviews, and visual output analysis using AI tools such as DALL-E, MidJourney, and Stable Diffusion. Findings show that students’ prompt engineering proficiency varies widely, with language skills, creativity, and technological understanding being key determinants. Effective prompt engineering significantly enhances the quality and creativity of generated visuals. The study concludes that integrating prompt engineering into design curricula can improve students' technical skills and creative problem-solving. Educators should focus on practical applications and provide training in AI tools to ensure that students are prepared for the evolving design landscape.</p> </div> </div> </div>2024-12-29T00:00:00+00:00Copyright (c) 2024 Andreas James Darmawan, I Made Gede Arimbawa, Anita Heptariza, Hosea Brayenhttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/489THE VALUE OF SUBAHNALE IDENTITY IN THE DIGITAL DESIGN MATARAM CITY REGIONAL ELECTION MASCOT2024-12-09T01:48:12+00:00Hasbullah Hasbullah[email protected]I Wayan Swandi[email protected]Anak Agung Gde Bagus Udayana[email protected]Alit Kumala Dewi[email protected]<p><em>Subahnale’s</em> existence is not only in digital mascot designs but is widely used by the younger generation in illustration designs and others. However, what values are contained in <em>Subahnale’s </em>motives in communicating in the Mataram city elections? This research aims to examine the value of <em>Subahnale’s</em> identity in the digital design of the Mataram City Pilkada mascot. Using qualitative methods, data collection was carried out through interviews, visual analysis of <em>Subahnale </em>motifs, and literature reviews and was based on Roland Barthes' semiotic theory. The research results show that <em>Subahnale’s</em> mascot design will increase its aesthetic appeal. <em>Subahnale</em> is digitally relevant in modern visual communication, demonstrating emotional value that encourages community involvement and strengthens local identity. The implications of the results of this research strengthen the political value of branding in safe, honest, and fair regional election activities.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Hasbullah Hasbullah, I Wayan Swandi, Anak Agung Gde Bagus Udayana, Alit Kumala Dewihttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/482OPTIMIZATION OF DANCE EDUCATION THROUGH CREATIVE MEDIA: INTEGRATION OF TEXT, VIDEO, AND AUDIOVISUALS IN THE EDUCATIONAL PROCESS2024-12-04T09:57:18+00:00I Wayan Budiarsa[email protected]Dewa Gede Satya Adi Maha Utamia[email protected]Ni Wayan Arma Yonika Sari[email protected]<p>This research is motivated by the need to enhance the effectiveness of dance education, which often faces challenges in conveying movement concepts in a visual and comprehensive manner. The aim of this study is to optimise dance learning through the integration of creative media, including text, video, and audiovisual elements within the educational process. The method employed is qualitative research with a descriptive approach, wherein data are collected through observations, interviews, and document analysis at dance education institutions. The findings indicate that the integration of creative media not only boosts student motivation and engagement in the learning process but also enriches their understanding of dance techniques and aesthetics. Furthermore, audiovisual media have proven effective in clarifying movement representation and strengthening the skill evaluation process. This research recommends the use of creative media as an innovative strategy in dance education in the era of disruption.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 I Wayan Budiarsa, Dewa Gede Satya Adi Maha Utamia, Ni Wayan Arma Yonika Sarihttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/485 “SOSIOLOGI SASTRA PENGANTAR RINGKAS” COVER DESIGN BY 369 IN SCHLEIERMACHER'S HERMENEUTIC PERSPECTIVE2024-12-05T16:44:30+00:00Moelyono Rahardjo[email protected]<p class="abstract" style="margin-top: 0in;">This study aims to investigate the process of role-changing taken by the author, who designs his book covers using the pseudonym “369”. The author's knowledge and experiences in self-publishing showed how his process relates to what is now known as visual communication design democratization. Schleiermacher's hermeneutic perspective is used to comprehend the process of the roles-changing and thoughts of the designer/author in exploring knowledge of visual communication design, which may be understood through other perspectives held by 369. By using an empathetic and divinatory approach, as Schleiermacher suggested, this study finds the transtextual relationship between the book cover design as text and the text of the book's contents, as well as other texts from the same author. This transtextual relationship becomes a way to re-reflect on the democratization of visual communication design.</p>2024-12-29T00:00:00+00:00Copyright (c) 2024 Moelyono Rahardjohttps://eproceeding.isidps.ac.id/index.php/bbw/article/view/585THE PRESERVATION OF BATIK THROUGH TECHNOLOGY: THE ROLE OF BATIK FRACTAL AND JBATIK SOFTWARE2025-01-13T15:02:22+00:00Putu Ayu Adiyanti[email protected]<p>Batik Fractal is an innovation that integrates traditional Batik art with modern technology through the application of fractal mathematical formulas to create more complex and innovative Batik designs. This technology developed through jBatik software, allows for a more efficient design and production process without compromising the aesthetic and philosophical value of batik as a cultural heritage. This research aims to examine the application of fractal technology in Batik design, as well as its impact on the preservation of batik art, production efficiency, and batik competitiveness in the global market. A descriptive qualitative research approach is used to collect data through observation and analysis of documents then analyzed to provide a comprehensive understanding of the development of Batik Fractal. The results of this study show that Batik Fractal provides a new dimension in Batik design while strengthening the relevance of Batik in the modern era and the international market.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/586INNOVATION AND CREATIVITY IN GAMELAN MANDOLIN2025-01-13T15:37:43+00:00I Gede Mawan[email protected]Putu Sandra Devindriati Kusuma[email protected]<p>Gamelan Mandolin is a type of traditional Balinese music that is played by plucking. The Mandolin gamelan, which is thought to have originated from China, is still preserved by the people of Pupuan Village, Tabanan. One form of application of creativity and innovation in the world of music is in the development of the mandolin gamelan. Gamelan mandolin is a form of musical experiment that combines Balinese gamelan instruments with the mandolin, a musical instrument originating from China. In the creation process, the mandolin gamelan presents new challenges in terms of playing techniques, harmony and timbre which are different from gamelan in general. This article aims to examine the creativity of musicians in designing and processing gamelan mandolin instruments, as well as how these innovations have had an impact on the development of traditional and contemporary Balinese music. Using a composition and performance analysis approach, this research shows that the mandolin gamelan is not just a musical experiment, but also a means of enriching the Indonesian musical repertoire through mixing different cultural elements. Through creativity and innovation in the development of the mandolin gamelan, space is created for the evolution of traditional music that remains relevant amidst global musical developments.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/588INTERIOR DESIGNERS IN SOCIETY 5.0, MACHINE UTILIZATION IN MAKING INTERIOR WORK EASIER2025-01-14T08:00:17+00:00Tunjung Atmadi[email protected]<p>Society 5.0 is a concept that allows humanity to use modern technology-based science such as machines to meet needs and make human life easier, especially for interior designers of interior work. The presence of society 5.0 has made a major contribution to interior designers. The purpose of this study is the existence of a technology-based machine learning innovation that makes it easier for designers to work on designer work methods, designer communication methods and work methods in workshops without regard to space, time and place. Through a case study approach, with qualitative descriptive analysis, the role of interior designers in the era of society 5.0 can be understood. An interior designer not only works and masters computers as a medium for designing his designs, but must master and operate supporting machine tools in realizing his ideas. In addition, interior designers must also apply the concept of sustainability design as a sustainable development goal, which is very concerned with environmentally friendly design.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/589THE IMPACT OF TECHNOLOGY ON THE DEVELOPMENT OF BALINESE SHADOW PUPPETRY IN THE GLOBAL ERA2025-01-16T13:54:10+00:00I Made Marajaya[email protected]Ida Bagus Gede Surya Peradantha[email protected]<p>This study is motivated by the significant changes in Balinese shadow puppetry (wayang) resulting from the integration of technology in the global era. While the introduction of technology has opened new opportunities for the development of Balinese wayang, there are concerns that its use may undermine traditional values, affect the creativity of the puppeteers, and potentially threaten the preservation of this art form. Based on this, the study poses two main research questions: (1) How does technology influence the creativity of Balinese wayang in the global era? and (2) What are the impacts on the preservation and advancement of Balinese wayang? This qualitative research employs data collection methods such as observation, interviews, and literature review. The data were analyzed descriptively and interpretively, supported by creativity theory. The results indicate that technology has stimulated boundless innovation in Balinese wayang, leading to more engaging audio-visual performances. Moreover, the use of technology has contributed to the resurgence of the wayang-watching culture in Balinese society, while supporting the sustainability of this art form in the global era.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/593EXPLORATION OF PRINGGASELA WOVEN FABRIC AESTHETICS AS AN INSPIRATION FOR NEW CREATION DANCE FLOOR PATTERNS2025-01-16T16:33:15+00:00Nahdlatuzzainiyah Nahdlatuzzainiyah[email protected]Widia Febriana[email protected]I Nyoman Yoga Sumadewa[email protected]Hasbullah Hasbullah[email protected]Muhammad Alfian Sidik[email protected]Daffa Satya Jaya Buana[email protected]<p>This study explores the aesthetic elements of Pringgasela woven fabric, a traditional textile from Lombok, Indonesia, as a source of inspiration for innovative dance floor pattern designs. Pringgasela weaving is celebrated for its intricate motifs, harmonious color schemes, and rich cultural symbolism. By analyzing its visual and symbolic characteristics, this research aims to reinterpret traditional textile patterns into dynamic and functional spatial designs suitable for modern performance spaces. The study involves an aesthetic analysis of the fabric's patterns, the extraction of key design elements, and their adaptation into modular dance floor layouts. It emphasizes the importance of preserving cultural heritage through contemporary applications, fostering a dialogue between traditional arts and modern creative industries. The results offer a framework for integrating cultural aesthetics into innovative design, contributing to both cultural preservation and artistic innovation.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/594DESIGN, TECHNOLOGY AND CONTEMPORARY DANCE CASE STUDY OF CONTEMPORARY DANCE WORKS TALE TALE SCENOGRAPHY DESIGNER'S PERSPECTIVE2025-01-17T07:20:12+00:00Cindy Fadhila Sara[email protected]<p>This research raises a case study of the contemporary dance work Tale Tale by choreographer Sherli Novalinda, a contemporary work rooted in body archives and tales which is an oral tradition of the ancestors of the Kerinci community. This work combines traditional elements executed with a contemporary style to create a dialogue between dance art, design, and technology. The main focus of the research is to reconstruct the scenography from the perspective of a designer who plays a role in designing a dynamic stage space that not only supports the movements of the dancers but also reinforces the messages and emotions that the choreographer wants to convey. Using a qualitative approach and case studies, this study explores the creative process behind scenography design and the application of technology in Tale Tale's contemporary dance works. Technologies such as animation and visual projection are used as iterative elements that respond to dance movements in real-time, creating an immersive visual experience for the audience. The results of this study show that the collaboration between design, technology, and contemporary dance not only enriches the expression of movement, but also enriches the living space, where dancers and audiences are emotionally and visually involved, and can create a more interactive, deep, and meaningful art experience. This researcher emphasized that the synergy between design, technology, and contemporary dance can enrich the aesthetic dimension of performing arts. This study is expected to be a reference for the development of innovative scenography designs, as well as encourage further exploration in cross-disciplinary collaboration in the field of performing arts.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/595SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION2025-01-17T15:17:00+00:00Ni Made Ayu Dwara Putri[email protected]Damay Nouvanala Radja Rafa[email protected]<p>“Singkuh” is an experimental music composition based on the Balinese concept of "singkuh," meaning "strange." The work challenges traditional musical conventions by introducing unconventional sounds, techniques, and forms, contributing to the field of experimental music. To explore innovative approaches to music-making, breaking traditional norms, and expanding the possibilities of sound exploration through unconventional techniques and instruments. The composition utilizes VCV Rack software to operate modular synthesizers, providing effects for acoustic instruments. The creation process follows the Art Consortium's five stages: preparation, elaboration, synthesis, concept realization, and evaluation. The result is a 30-minute experimental composition for acoustic and electronic instruments. It includes diverse instruments such as piano, synthesizers, ocarina, kalimba, harmonica, bird whistles, and more. The work is divided into five sections emphasizing different experimental aspects. “Singkuh” introduces innovative techniques, instruments, and notations to experimental music. It expands musical boundaries and encourages both musicians and listeners to explore diverse sound possibilities.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/590CHILDREN’S DIGNITY IN MUSIC EDUCATION AND LOCAL COMMUNITY IN RECENT JAPAN2025-01-16T14:12:05+00:00Keiichi Kubota[email protected]<p>This paper explores the role of music education in upholding children’s dignity within the context of Japan's evolving demographic and multicultural landscape. Japan faces a rapid population decline, prompting an increased reliance on foreign workers and their families. This demographic shift introduces challenges for children of foreign descent who often navigate between their native language and Japanese in educational settings. The paper examines the ethical responsibilities of music educators in fostering inclusivity and addressing cultural dilemmas. It emphasizes that music, as a social and ethical practice, significantly influences children's psychological, social, and intellectual development. The discussion highlights the need for curricula that respect diverse linguistic and cultural backgrounds, proposing innovative approaches such as intercultural music workshops. These workshops enable foreign and Japanese children to engage in mutual learning by sharing traditional songs from various countries. The paper also underscores the importance of community-based initiatives and crowdfunding in supporting such educational endeavors. By prioritizing the dignity and holistic development of all children, this study advocates for a transformative approach to music education that reflects the values of a multicultural society. The findings contribute to global discussions on inclusive education and the ethical responsibilities of educators in diverse communities.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/591CREATION OF THE DANCE MUSIC FOR THE PUCUK BANG MASCOT OF BANGLI REGENCY2025-01-16T14:54:01+00:00I Ketut Garwa[email protected]<p>Pucuk Bang, or Hibiscus Rosa-Sinensis, was established as the identity and mascot of Bangli Regency during the leadership of Regent I.B. Gede Agung Ladip (1990–1995, 1995–2000) and officially declared on Bangli's 771st anniversary on May 10, 1991. Regent Sang Nyoman Sedana Arta (2021–2026) aimed to revive Bangli's taksu through the creation of the Pucuk Bang Dance as a visual icon, communication medium, identity symbol, and representation of Bangli’s vision and mission, fostering emotional connections and broad acceptance. The Pucuk Bang flower embodies purity, love, sincerity, and courage. "Pucuk" symbolizes the peak or forefront, and "Bang" (red) represents bravery, spirit, and the deity Brahma, a manifestation of God. It reflects courage and rising to the top with purity, love, and sincerity. The Pucuk Bang concept was transformed into a creative work integrating music, dance, and technology, deeply exploring textures, shapes, colors, and meanings. Inspired by Bangli’s heritage, such as Baris dances and Gong Gede gamelans, it uses the Tri Angga structure (kawitan, pangawak, pangecet). The musical work is united by nine dancers symbolizing the Universe's greatness as Sarining Padma Bhuwana. The Pucuk Bang flower embodies purity, love, sincerity, and courage. "Pucuk" symbolizes the peak or forefront, and "Bang" (red) represents bravery, spirit, and the deity Brahma, a manifestation of God. It reflects courage and rising to the top with purity, love, and sincerity. The Pucuk Bang concept was transformed into a creative work integrating music, dance, and technology, deeply exploring textures, shapes, colors, and meanings. Inspired by Bangli’s heritage, such as Baris dances and Gong Gede gamelans, it uses the Tri Angga structure (kawitan, pangawak, pangecet). The musical work is united by nine dancers symbolizing the Universe's greatness as Sarining Padma Bhuwana.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025 https://eproceeding.isidps.ac.id/index.php/bbw/article/view/592THE INFLUENCE OF CHINESE CULTURAL VALUES ON BALINESE TRADITIONAL PAINTING2025-01-16T14:58:13+00:00I Wayan Karja[email protected]<p>This research examines the influence of Chinese cultural values on the development of Balinese painting, focusing on how cultural interactions have enriched its artistic identity. Using qualitative methods with a historical approach and visual analysis, the study identifies Chinese cultural elements such as Yin-Yang philosophy, cosmology, motifs like Nekara Pejeng, Chinese coins, dragons, and decorative techniques integrated into Balinese art. The findings reveal that these influences are most evident in the styles of Kamasan painting, where forms, colors, and decorative motifs reflect a process of acculturation. Balinese artists have successfully incorporated these Chinese elements into their works while preserving their cultural identity. This research highlights the importance of cultural exchange as a driving force in the evolution of Balinese painting, offering both academic and practical contributions to the understanding of how cross-cultural interactions can enhance artistic traditions.</p>2024-12-29T00:00:00+00:00Copyright (c) 2025