BALI PUPPET IN CONTEMPORARY PAINTING ART

Authors

  • I Wayan Swantara Yoga Institut Seni Indonesia Bali
  • I Wayan Mudana Institut Seni Indonesia Bali
  • I Wayan Kondra Institut Seni Indonesia Bali

DOI:

https://doi.org/10.59997/ctkr.v5i1.4492

Keywords:

Basic Research, Exploration, Creation, Puppet

Abstract

The independent campus learning program is a policy of the Minister of Education and Culture, which aims to encourage students to master various knowledge that is useful for entering the world of work. This independent project study report highlights the concept of Balinese Shadow Puppetry in Contemporary Painting. Departing from the rare Shadow Puppetry which has become one of the inspirational ideas for creating art. The selection related to Shadow Puppet visuals in the creation of this work of painting presents the story of wayang as expressed through 6 (six) works of Painting. The problem faced is the concept, method and embodiment of Balinese Shadow Puppetry in Contemporary Painting. The aims and benefits are to provide a reflection on the creation of Balinese Shadow Puppets in Contemporary Painting. To answer the problems above, the creation method is a solution by applying exploration, improvisation, forming. Soedarsono (2001: 207), in realizing his work, the author used his own techniques or (experiments) combined with Shadow Puppet visuals and combined them with the characteristic ornaments of Sanggar Wasundari. Wet technique and application of color from Shadow Puppet and Kamasan Puppet. It is hoped that it can produce quality work and become the identity of the creator. In the end, it can be concluded that Balinese Shadow Puppets can inspire writers in creating valuable and meaningful works. With the creation of this work, it is hoped that it will be able to convey the message in this work of painting.

References

I. P. Deva Maha Putra, "MITOLOGI CALONARANG," Cita Kara, vol. iv, no. 2, p. 125, 2024.

I. M. Sudana, "Bentuk-Bentuk Pelelintangan Di Sanggar Wasundari Desa Kamasan Sebagai Sumber Inspirasi Seni Lukis," Cita Kara, vol. II, no. 1, p. 92, 2022.

I. M. Marajaya, "Estetika Pertunjukan Wayang Kulit Bali," Scholar, vol. v, no. 1, p. 2, 2011.

"Wayang Kulit," Babad Bali, vol. ii, no. 2, p. 11, 2017.

Sugiyono, "metode Penciptan," vol. iii, no. 1, p. 3.

B. Y. I. Made, "Metode Penciptaan Simbolisasi Bentuk Dalam Ruang Imaji Rupa," vol. iii, no. 3, p. 1, 2010.

Downloads

Published

2025-04-11 — Updated on 2025-04-11

How to Cite

Yoga, I. W. S., Mudana, I. W., & Kondra, I. W. (2025). BALI PUPPET IN CONTEMPORARY PAINTING ART. CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 5(1), 64–72. https://doi.org/10.59997/ctkr.v5i1.4492

Most read articles by the same author(s)

1 2 3 > >> 

Similar Articles

<< < 5 6 7 8 9 10 

You may also start an advanced similarity search for this article.