Utilization of Technology in Craft Arts on Industrial Revolution 4.0 era

Authors

  • Lucky Wijayanti

Keywords:

rasa, fourth industrial revolution, craft, creative process

Abstract

 Craft is one of the representation forms of the condition of social structure development in society in Indonesia. On the other hand, the rapid advancement of technology - which was marked by the emergence of the Industrial Revolution 4.0 - had an impact on human life through a variety of ways and fields. The realm of art, especially crafts, is also inseparable from the influence of this progress. The existence of the effect certainly requires research on how the use of technology available in the Industrial Revolution 4.0 in the realm of craft.

Qualitative methods in the form of ‘artistic research’ and experiments are used to examine the creative process in making artwork. The creative process aimed at creating artworks based on Raymond Williams’ cultural reproduction framework. The Ramachandran’s concept of 'rasa' from is also used to develop narratives related to the role of technology in the process of creating craft works. Technically, this research utilizes 3D Printing in the creative process of making works in the form of silver-based earring accessories conducted in Celuk, Bali. Then, there are other works created using the manual method that serves as a comparison

 

Craft is one of the representation forms of the condition of social structure development in society in Indonesia. On the other hand, the rapid advancement of technology - which was marked by the emergence of the Industrial Revolution 4.0 - had an impact on human life through a variety of ways and fields. The realm of art, especially crafts, is also inseparable from the influence of this progress. The existence of the effect certainly requires research on how the use of technology available in the Industrial Revolution 4.0 in the realm of craft.

Qualitative methods in the form of ‘artistic research’ and experiments are used to examine the creative process in making artwork. The creative process aimed at creating artworks based on Raymond Williams’ cultural reproduction framework. The Ramachandran’s concept of 'rasa' from is also used to develop narratives related to the role of technology in the process of creating craft works. Technically, this research utilizes 3D Printing in the creative process of making works in the form of silver-based earring accessories conducted in Celuk, Bali. Then, there are other works created using the manual method that serves as a comparison

Seminar Nasional Seni, Kriya dan Desain (Sandyakala) 2019 ini merupakan rangkaian seminar nasional tahunan yang diselenggarakan oleh Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar. Kelanjutan pelaksanaan Seminar Nasional pada tahun 2019 ini, dimulai dengan mengambil nama ‘Sandyakala’ karena merupakan sebuah kata yang penuh makna. Sandyakala mengandung arti ‘pertemuan waktu’ yakni memiliki makna perpaduan kekuatan besar yang berbeda dalam sebuah pertemuan ilmiah, sehingga diharapkan dapat menjadi sebuah kesatuan dalam landasan berpikir untuk melangkah lebih baik dalam proses berkehidupan menuju pada tahapan selanjutnya

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Published

2019-09-10

How to Cite

Wijayanti, L. (2019). Utilization of Technology in Craft Arts on Industrial Revolution 4.0 era. Sandyakala : Prosiding Seminar Nasional Seni, Kriya, Dan Desain, 1, 328–334. Retrieved from https://eproceeding.isidps.ac.id/index.php/sandyakala/article/view/72

Issue

Vol. 1 (2019): Pengembangan Kreativitas Seni, Kriya dan Desain Dalam Era Revolusi 4.0

Section

Articles

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